Bryan Ferry: Frantic
by Gavin Martin
Daily Mirror, 27th April 2002
Return Ferry
Rating: Four Stars out of Four
After the Roxy Music Reunion, 70s Pop Smoothie Bryan
Blasts Back, Musing On Everything From Monroe To Atom Bombs
In recent years, Bryan Ferry has become a remote and directionless figure. On
recent albums like Mamounia (sic) and his 1930s covers album As Time Goes By,
the one-time Godfather of Cool has often seemed in danger of turning into the
Prince Charles of pop.
A whole generation has grown up sadly unaware of the dynamic and imaginative figure
he cut when Roxy Music first exploded on to a moribund British music scene in
1972.
They needed to be shown that Bryan is one of the major musical forces this country
has produced in the last 40 years and so, it seems, did he.
So last year Ferry reassembled most of his old colleagues for a triumphant reunion
tour that surpassed expectations of diehard fans and newcomers alike.
The experience has given Ferry a renewed sense of direction. The result is a new
solo album - Frantic - his best album in over a decade.
He says: "When you're used to softer sounds it's nice to go on-stage and
hear lots of cranked-up guitar. It was very refreshing so I decided I wanted to
do a rock 'n' roll album with plenty of electric guitars.
But it's a major part of Frantic's charm that Ferry's brand of rock 'n' roll comes
with his own suave imprint. On the album Ferry does what he has always done best,
mixing unique interpretations of songs he loves with new compositions of his own
that both add to (San Simeon) and gently undercut (Cruel) his mystique.
The album is a fine summation of Ferry's lifelong proccupations - pop culture
on the soaring Marilyn Monroe tribute Goddess Of Love, mediaeval mythology on
Fool For Love, and scary sci-fi future visions on Hiroshima. Ferry says the album
is called Frantic because of the circumstances he's been working under in the
past year, perhaps the sense of urgency was partially inspired by his experience
aboard a flight to Kenya in a break from recording the album in (sic) Christmas
2000.
Ferry and his family came close to plunging into the sea when a deranged passenger
took over the controls.
"My first thought wasn't spare me and all the passengers, it was not yet
I've got an album to finish" he admitted after the incident.
Text copyright 2002 Daily Mirror, used without permission.